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Author: 애버딘 윌
Resume: 17 • Blink • Child of God • ⚾ • 'Put God first 😉'

Scores - 1745 Vote
runtime - 131 m
India
Year - 2020
writed by - Nitesh Tiwari, Nitesh Tiwari
Ab sare bhed shuru ho jayenge apni chale chalne k liy pati or ptni ek h🥳 lkn maa baap dono k liy smmaniny h... 🤷🏻‍♀️ To maa baap k rishte ko pati ptni k rishte ko ek krk na joda jay... 🤣🤣🤣. Story: When Jaya’s passion for kabaddi is reignited, she decides to make a comeback to the sport, at the age of 32. But will it be an easy ride back into the national team, now that she is riddled with domestic responsibilities as a mother and wife. Review: Jaya Nigam’s (Kangana Ranaut) life is steeped in domesticity – motherhood and a job at the railways – when somehow a passion she had laid to rest years back, catches up with her. At one time, the captain of the national kabaddi team, she now juggles life between her seven-year-old son, Adi (Yagya Bhasin), household chores and her humdrum job. And amidst all this, she barely manages time for herself even though her husband, Prashant (Jassie Gill) is supportive enough and they share a wonderful relationship. Moreover, Jaya is the all-out doting mother, extra cautious and always anxious. So when Adi stumbles upon the fact that she used to be a star player and wishes to see her play again, she decides to oblige, even if just to humour him for a short while. And although that's how it starts off, Jaya soon realises that her heart is set on regaining her lost glory and fulfilling a dream she left mid-way. But now saddled with all the domestic responsibilities, will it be an easy decision to make? And also, after a seven-year hiatus will she find a place in the team again, amongst a much younger and enthused team. Ashwini Iyer Tiwari creates a world set in the by-lanes of Bhopal that is soaking with small town milieu - a motif that has arguably become a tired template in Hindi movies now. But here, it is infused with a refreshing energy. The characters don't feel like caricatures, but are real and palpable. From Meenu (Richa Chadha), her best friend and a kabbadi coach to Jaya's mother (Neena Gupta) to even her team mate Nisha (Megha Burman) – each of these women are well fleshed out characters playing an intrinsic part in the narrative. As do Adi and Prashant. At one point in the film, to stress upon how much she wants to go back to kabaddi, Jaya says, “ Main kya kar sakti thi, aur main kya kar rahin hoon ”, as she holds back her tears and goes into the kitchen. In another scene she tells her husband that while she is expected to understand everyone’s needs, no one seems to understand hers. And when she speaks of the happiness that fills her when she looks at Adi and Prashant she also adds, " Par jab main khud ko dekhti hoon toh woh khushi nahin milti hain. " The narrative is filled with potent yet subtle moments like these that translates the eternal tussle between domestic responsibilities and fulfilling one’s dreams that many mothers go through. The screenplay that traverses through this journey of a sprightly young mother who decides to give her best shot to a second chance, is taut and wholesome, bringing out a story that is emotional, inspiring, nuanced and thoroughly engaging. The dialogues are sparkling and injected with humour and there are some delightful touches like the school mom’s Whatsapp group, which finally the father becomes part of. In fact Prashant’s character is also heroic in his own silent way. The writing by Ashwiny Iyer Tiwari, Nikhil Mehrohtra and Nitesh Tiwari is brilliant and is the backbone of the film. The soulful soundtrack (music by Shankar-Ehsaan-Loy, lyrics by Javed Akhtar) is woven in so smoothly that it never distracts yet touches the right chord. Moving to the performances, Kangana Ranaut as Jaya is terrific and the tour de force of the film – at home she is the gentle, dutiful Jaya who is simmering with this latent desire to break out and catch up with her dreams. And when she is on the court Kangana thrills with an absolutely throbbing, pulsating performance. She breathes in vulnerability and power – switching between the two facets of her character so swiftly and seamlessly that it is totally fascinating. The support cast too pitch in ace performances – Richa Chadha is superb as she gets under the skin of her steely character and also brings in plenty of the laughs. Jassie Gill as the supportive husband is impressive and does full justice to a very well written role. Debutant Yagya Bhasin as the Jaya’s driving force stands out with his comic timing. Neena Gupta is superlative – especially in the scene where she talks to Jaya on the phone. Megha Burman shines as the young kabbadi player. 'Panga' is a film that honours the endless hours of work that mothers put behind their families and at the same time urges them to never give up on their dreams and to take that second chance. It not only forms an important voice at a time when so many women drop out of the workforce, it is also an extremely well-crafted film. The humor and emotionally charged moments are deliciously balanced and the outcome is motivating and exhilarating. This ode to motherhood and chasing one’s dreams is a must watch.

What if you put a key in each of the shells, then used a POW so that there's not as many shells trying to kill them between getting the key and opening the door, because someone can still mess up right at the end with it as it is. At the end: Luigi: HELP ME Mario and Toadette: No. 0:36 the s y n c. Watch Full panama. See what you've done Nintendo. This is what happens when we can't view downloaded levels in the editor. Movies | ‘Panga’ Review: Put Me in Coach, I Have Life Experience This Hindi movie tells the story of a former athlete, now a working mother, who sets out to recapture her former glory. Credit... Fox Star Studios Panga Directed by Ashwiny Iyer Tiwari Romance Not Rated 2h 11m Jaya, the heroine of “Panga, ” a working mom with a sickly little boy and a smiling husband, cooks, does laundry, shoos her child onto the school bus. She hovers and worries. And is unhappy. Once upon a time, though, Jaya (Kangana Ranaut) was somebody: the captain of India’s women’s kabaddi team. ( The sport, born in India and popular across Asia, is easy enough for the uninitiated to follow onscreen. ) But she quit playing when her husband’s job moved the family to Bhopal from Delhi. Can she make a comeback? That’s the question in this lightly feminist film, which shifts from being a domestic dramedy to an underdog sports tale, a favorite genre of Indian movies. The link is family: Will Jaya’s husband, Prashant (Jassie Gill), and little boy, Adi (Yagya Bhasin), support her return to kabaddi? Even if she has to move away from them to practice with the team? Directed by Ashwiny Iyer Tiwari, “Panga” has an understated realism — about the tempos of family life and the Indian middle class. The drama, too, is understated: bumps in a road paved with good will rather than a clash of values and goals. Jaya doesn’t have to fight that hard to convince her family that she needs to pursue her sport. Quite the opposite: The idea is her son’s initially. And when she makes the team and decamps to Kolkata, father and son have the occasional gentle crisis — Prashant makes a mess of Adi’s tiger makeup for a school play; his cooking is subpar — but learn to adjust. (One quick fix: Jaya’s mother swoops in to take up cooking duties. ) As a sports story, “Panga” is less heart-pounding than sweet. Jaya has to fight her aging body, her teammates’ idea that she’s too old to play (she’s all of 32) and societal notions about mothers. As expected, the movie ends with a big tournament, an all-Asia competition, and a climactic match: India versus Iran. But Tiwari is better at probing the emotions under the drama than building a nail-biting, rah-rah finish, though she tries. Throughout, Tiwari doesn’t get enough help from her script — she wrote it with Nikhil Mehrotra — which knows the beats to hit but not always how to hit them. The film is fuzzy when you want it to be sharp, its characters too generic to register, particularly Gill’s one-note Prashant. Not so Ranaut’s Jaya, who elevates the movie, putting the story across better than the script can. Ranaut makes Jaya credible and specific; she’s not an every woman or every mom or every athlete. She’s this one, Jaya, and Ranaut makes you care about what kind of place she can find for herself in the world. Panga Not rated. In Hindi, with subtitles. Running time: 2 hours 10 minutes.

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Watch Full panga. Movie Name: Panga Cast: Kangana Ranaut, Richa Chadha Director: Ashwiny Iyer Tiwari Queen till date remains Kangana Ranaut’s best performance. Despite the popularity she achieved post Tanu Weds Manu, and Manikarnika: The Queen Of Jhansi recently. Ashwini Iyer Tiwari’s Panga is right up there next to Queen. Welcome back Kangana, we missed you. Panga essentially is a story about regaining confidence in one’s self. It goes beyond just skill, for that the person sitting next to you, wreaking havoc on the keyboard right now, also has. We are in fact surrounded by skilful people, who are where they are because they deserve it. And so do we. It is that confidence that is most fragile, it is that confidence that suffers the biggest hits. Jaya (Kangana) is 32, married, and mother of a seven-year-old. Prashant (Jassie Gill), her husband, loves her, respects her and more importantly, understands what she gave up to choose this life. So, what did she give up? Not just kabaddi and a spot in the national team right before the Asia Cup; she gave up her dream. Playing for the Railway Kabaddi Team has landed her a job, where there’s no respect or recognition, but there is stability. Jaya today specialises in aaloo ke parathe, but her eyes gleam when she bites into that occasional slice of pizza she is sharing with her family in front of the television set. On the opposite end of the spectrum is Meenu (Richa Chadha), same age as Jaya, unmarried, no kids, and currently coaching aspiring young girls in kabaddi. "Jab ladka tumhe dabochne ki koshish kare, pao se pakde, toh edi ko aise twist karo, aur patli gali se line ke uss par chale jaao, " she paints a more realistic picture so a girl in a small city like Bhopal can relate to while she charts her gaming strategy on the mat. Watch Panga trailer here: Director Ashwiny Iyer Tiwari’s Bhopal is as real as it gets. The railway quarter with a loft in the kitchen where a room heater and a sandwich maker plays peek-a-boo, neatly packed in the boxes they came in, is so middle-class that it feels like home. But her setting is not a character in the story - it’s just there inconspicuously, furthering a Jaya and a Prashant’s story. They are ordinary people, middle-class, with middle-class dreams and limits, stemming from a middle-class conditioning. One such conditioning comes in the way of a bubbling desire in Jaya to make a comeback into the kabaddi team at 32. Motherhood. Even as Adi (Yagya Bhasin), her son, hands her a glass of milk because she needs physical strength to get back into the game, Jaya is torn. "Main chali jaungi toh ghar kaun samhalega, Adi ko dawai kaun dega, khana kaun banayega? " she asks and quickly adds, "Main apni hadd dekhna chahti thi. Isse aage jaungi toh cruel mother kehlaungi. " Caught between 'log kya kahenge' and her own reluctance to let go of the only thing that adds value to her existence now - her family - Jaya is almost losing her breath inches away from the line. One final push, maybe? And Ashwiny lends that push. A bit of willing suspension of disbelief, a lot of that feel-good factor that comes from watching an underdog win, Panga delivers the highs wonderfully. You walk out of the theatre feeling satiated, happy, not because of the extra butter on the popcorn. A still from Panga. That, again, is a double-edged sword. Because the audience already loves a good underdog story, shall we keep sticking to it? Panga in that sense plays to the gallery. Jaya trains and she trains hard, but the ease at which she overcomes her drawbacks, overpowers younger, fitter girls on the mat, is a stretch. Let's not forget she was out-of-practice for a good seven years. And while Serena Williams (an example used in the film) is a mother of one, winning Grand Slams after Grand Slams (she's at 23 wins right now), she never took a seven-year-long break. READ STREET DANCER 3D REVIEW HERE: As much as we'd like to believe that Jaya's win is possible, we cannot discount the fact that kabaddi is a difficult, all-body sport. And it is not sexist to admit that motherhood changes that. Panga lost a few points there. Kangana is good. Jassie emotes less and stares more, with an occasional nose-clenching grin that is both annoying and endearing. Neena Gupta has little to do in the film, very little. We are officially disappointed. Richa’s Meenu starts off a tad bit lacklustre compared to Kangana’s Jaya, and she has that complacency about her performance that we spotted in Inside Edge Season 2 too, but second-half Richa is just awesomesauce - we’re using this word for it just made it to Oxford Dictionary, and at the right time. Yagya Bhasin as seven-year-old Adi is a bomb. He does naughty, throws tantrums and sometimes spouts the most horrible things when he isn’t getting his way, just as kids do, but he also makes you fall in love with him. Panga is a good reminder that we all matter, individually, in our own way, in our own stories. It's a reminder to hold on to that little ball of confidence in you. And it's a reminder that Kangana doesn’t need to actually take panga, she can simply make one. We’re going with 3. 5 stars out of 5. ( Writer tweets as @NotThatNairita) ALSO READ | Kangana Ranaut: Indira Jaising should be kept in jail with Nirbhaya's rapists ALSO READ | Kangana Ranaut: I will never stand behind Tukde-Tukde Gang ALSO READ | Richa Chadha: Vivek Oberoi and I can discuss politics, but never spoken to Kangana Ranaut about it ALSO SEE | Panga: Kangana Ranaut turns Frida Kahlo for film's screening. Fatima Sana Shaikh attends event with Tahira Kashyap ALSO WATCH | Watch: In conversation with Panga cast Kangana Ranaut, Jassie Gill and Neena Gupta Get real-time alerts and all the news on your phone with the all-new India Today app. Download from.

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